Taylor Hidaldo invites you to play.
Taylor Hidalgo speaks in a way not everyone will understand.
Taylor Hidalgo plays from a theater seat.
Taylor Hidalgo’s moves may be messy, but he’ll show you anyway.
Dressing nicely and punching are the Yakuza lifestyle. Taylor Hidalgo wants less punching.
Taylor Hidalgo hardly finds the violence meditative.
Taylor Hidaglo is frightened by the intersection between time, art, and death.
Taylor Hidalgo fears what Subnautica‘s oceans hide.
Taylor Hidalgo’s camping vacation mostly feels like a lot of work.
As things end, Taylor Hidalgo is excited for what comes next.
Taylor Hidalgo remembers his grandfather.
Taylor Hidalgo’s many features combine to form something aesthetically perplexing.
Taylor Hidalgo mourns the emptiness of an overstocked wasteland.
Taylor Hidalgo studies the distinction between films and games.
Taylor Hidalgo can feel the walls closing in around him.
Contribute to Haywire
Follow us on Twitter
Haywire Magazine is a bi-monthly games culture webzine turned blog collective.
We aim to offer a shared space for critics outside the traditional publishing system. No entrance requirements, just throw your ideas at us and we'll help you get them written up and out there.
For more information, have a look at our ethics statement.
Enter your email address to be notified of new posts.
Copyright © 2020 Haywire Magazine
Powered by WordPress and Origin